Subject Area: Music & Musicology Sacks, Adam J.2021 1495508730 104 pages
Dr. Adam J. Sacks provides a close reading with comprehensive coverage and a supportive introduction to serve as a critical introduction for a wide audience fort his singular entry in the European art-music canon.Price: $119.95 Petty, Jonathan Christian2021 1-4955-0859-5 636 pages
Dr. Jonathan Petty looks into the nature of music and musicology to reconsider the way that humanity looks at music and all the elements that go into music.Price: $339.95 Horovitz, Chaim T.2011 0-7734-3810-6 516 pages
This work presents the wide range of influence of the ‘Song of Songs’ on world culture. It demonstrates the long history of confrontation of the immense number of allegorical interpretations with secular (literal) commentaries. This book contains twenty-four black and white photographs and twelve color photographs.Price: $299.95 Dennis, Christopher1997 0-7734-8434-5 144 pages
Examines Adorno's principle theme: the historical demise of tonality as the basis for the valid practice of musical art. This theme proceeds from his dialectical view of reality, and from the consequences of the historical change that began with the ascendancy of the bourgeoisie. Responses to these circumstances by the principal composers of the period span a continuum from authenticity, in acknowledgment of the end of musical art, achieved in the objectifying constructions of Schoenberg's 12-tone principles; to inauthenticity, in the pretence of Stravinsky's works to maintain a traditional tonality which is really dead. The consequences of this history for contemporary music are presented as Adorno described them in publications subsequent to Philosophy of Modern Music. Inconsistency is noted in Adorno's understanding of what tonality is, and where it actually applies: this casts doubt upon the notion of tonality from which its historical demise supposedly derives. Adorno's characterization of present historical trends is read as negative, and an interpretation of this apparently essentialist position is offered.Price: $139.95 Konye, Paul2007 0-7734-5253-2 268 pages
This study makes a distinction between modern Nigerian art music, which evolved in the twentieth century and emphasizes Western music notation, and the previously existing art music tradition in Nigeria before the advent of missionaries in the nineteenth century. Specifically, this research examines the social, political, and cultural factors involved in the evolution and practice of art music in Nigeria. This book contains 4 color photographs.Price: $199.95 Bellofatto, Luigi D.2011 0-7734-1496-7 536 pages
A biography of Alexander Wheelock Thayer which brings new insight into his study of the life of Beethoven.Price: $299.95 Brown, Kellie D.2005 0-7734-6158-2 360 pages
Since the earliest civilizations, a connection has existed between music and the literary arts. From the Old Testament and ancient Greek poets to the great operatic masterpieces of the nineteenth century, music and words have forged an inseparable bond. This relationship is not only seen in musical genres but in a prolific output of novels for adults and children that contain musical themes, characters, and/or settings.
This book is the result of many years of research into fiction that has this musical connection. Focusing on novels mainly from the twentieth century, this volume contains an extensive annotated list featuring works for adult, young adult and juvenile audiences and also represents a wide range of musical genre from classical to jazz to rap. Following the annotations, this book provides a comprehensive listing of all titles sorted by reading level and by musical genres to assist librarians, educators, and readers in finding the precise book for a given need or interest.Price: $239.95 Anthony, Kevin2019 1-4955-0783-1 56 pages
This reference work catalogs the research on electronic music pioneer Robert Moog.Price: $59.95 Larrick, Geary2006 0-7734-5970-7 212 pages
Methodology in this interdisciplinary study incorporated viewing more than two hundred periodicals in University Library in the Learning Resource Center at the University of Wisconsin – Stevens Point, during the first three months of 2005. Thus, references taken involve that time frame or in the recent past.
The author started at the beginning of the alphabet; that is, periodicals with titles starting with the letter “A,” and went to the letter “J,” whose publications for the most part started with the title word “Journal.” This encompassed well over two hundred bibliographic entries in the book and research notes, adding annotations that often include author memoirs.
The result is an interdisciplinary view of percussion music. Many authors, editors and articles are cited, in a number of different fields, i.e. sociology, anthropology, health, physical and social sciences, natural resources, and the humanities. The author of this book has made an effort not to replicate the original works, but simply to use them as a stepping stone to further discussion. Therefore, both the bibliography and the associated references are important to the subject.
The reader is invited to attend this tour of the periodical collection, and to enjoy its diversity, variety, threads of similarity, personal and professional memoirs that are related to the subject at hand, and to discover all the wonders that are available to the modern reader. Citations include a multicultural list of names from a multiplicity of nationalities and ancestral sources, coming together, for the most part, in the academy of post-secondary and higher education.Price: $179.95 Rice, Paul F.1996 0-7734-8865-0 232 pages
John Abraham Fisher (1744-1806) was one of the most important English musicians and composers of his generation. The range of his compositional activities demonstrates the diversity of his interests. In addition to playing in theatres, he performed his own works at the pleasure gardens at Vauxhall and Marylebone, and also composed cantatas, anthems, an oratorio, symphonies, and chamber music. The present volume gives evidence of his contributions to the musical life of not only the Covent Garden theatre, but British musical life in general.Price: $179.95 Blazich, Joan Michelle2010 0-7734-3805-X 292 pages
This work provides for the first time, the complete English translations and analyses of the first known, Classical-era pedagogical treatises for the clarinet. The project makes available valuable information on performance techniques used by Classical-era clarinetists, particularly in Amand Vanderhagen’s discussions of the embouchure, reeds, and embellishments. In addition, it demonstrates Vanderhagen’s influence on subsequent clarinetists.Price: $199.95 Flindell, Edwin Frederick2014 0-7734-4312-6 452 pages
Through an interdisciplinary approach the author seeks to discover how composers created the modal polyphonic system. The reader is led from scholarly and theoretical issues to direct compositional creation.
A significant contribution and interdisciplinary approach to medieval musical research. The author not only researches the music history of the time, but incorporates the political, social and cultural conditions that gave rise to the birth of polyphonic thought in Western music.Price: $279.95
ANALYTICAL STUDIES ABOUT MUSIC BY THOMAS DELIO: Beethoven, Carter, Chopin, DeLio, Feldman, Haydn, Mahler, Reynolds, Satie, Scelsi, Webern, Wolpe, and Xenakis Licata, Thomas2020 1495509133 448 pages
This is an anthology of historical and critical essays written by Thomas DeLio about music, edited by Thomas Licata.Price: $257.95
ANALYTICAL STUDIES OF THE MUSIC OF ASHLEY, CAGE, CARTER, DALLAPICCOLA, FELDMAN, LUCIER, REICH, SATIE, SCHOENBERG, WOLFF, AND XENAKIS Essays in Contemporary Music DeLio, Thomas2017 1-4955-0592-8 380 pages
Over the past thirty years, Thomas DeLio, American composer and music theorist, has produced a highly original body of music and writings that have established his artistic and scholarly voice as unique amongst his peers. His writings have addressed music by a diverse collection of American and European composers including Iannis Xenakis, Morton Feldman, John Cage, Alvin Lucier, Arnold Schoenberg, Erik Satie and Luigi Dallapiccola.Price: $239.95 Erdmann, Thomas R.1997 0-7734-8545-7 216 pages
Sigmund Hering (1899-1986) was perhaps the most influential trumpet teacher in America during the mid 20th century, and was known worldwide. He served as trumpeter with the Philadelphia Orchestra from 1925-1964. He is the most published trumpet pedagogue in the world. After a short introductory chapter on Sigmund Hering, this work analyzes his published trumpet works, draws conclusions on each text for suitability of use, and creates a guide for trumpet pedagogues for using Hering's 408 trumpet etudes for one trumpet without piano accompaniment. Appendices include: A Brief Look at the Compositional Relationship Between Leon Lester and Sigmund Hering; Brief Biographies of Sigmund Hering's Principal Viennese Instructors; A Complete List of Sources Used to Create the List 'Twentieth Century Topics of Trumpet Pedagogy'; and Definitions of Some Terms Used in that list. This book is available at a special price when ordered for text use. Call (716) 754-2788 for text information.Price: $179.95 Larrick, Geary2005 0-7734-6223-6 152 pages
This is an annotated bibliography of works published since 1976 by Per-Mus Publications LLC, of Columbus, Ohio, owned and founded by James L. Moore, Ph.D.. Dr. Moore is an Associate Professor of Music Emeritus at The Ohio State University, and continues to work as percussion instructor with the Ohio State University Marching Band, an organization of which this author is an alumnus. About one hundred fifty works are cited, with autobiographical memoirs of a professional nature interspersed in the manuscript.
This volume is a specific record of the publications produced by Dr. Moore's firm in twenty-eight years, including work of J.S. Bach, Leopold Mozart, Wolfgang Amadeus Mozart, Frederic Chopin, Felix Mendelssohn, Ruth Stuber Jeanne, Gary Olmstead, James L. Moore, Geary Larrick, Murray Houllif, Jack Jenny and numerous others from contemporary and past history. Specifics of composition and percussion are cited, as well as the inclusion of many names associated with music and history.
The author is a native of Ohio, having studied with J.L. Moore during the 1964-65 school years at OSU, and collaborated with him in the interim. This book is a close-up look at percussion music publishing in the latter quarter of the 20th Century in the United States of America, involving a company that distributes widely including internationally. Fields of study that are discussed are education, music, percussion, history, theory, composition, arranging, business and basic scholarship.Price: $139.95 LaCroix, Richard L.1988 0-88946-431-6 130 pages
An important interdisciplinary study of some of the concepts central to Augustine's philosophy of art, largely ignored in previous works.Price: $139.95 Larrick, Geary2003 0-7734-6644-4 196 pages
This volume surveys a broad spectrum, from Bach, Beethoven, and Brahms, through Ellington, Richard Rodgers, and the Beatles. It has more than a hundred essays annotating bibliographic entries concerning percussion, based on the author’s experience as performer, teacher and writer. Broad subjects encompassed include opera, symphony orchestra, popular and jazz music, virtuosity and education, musicology and history, African-American history and women’s history.Price: $159.95 Larrick, Geary1999 0-7734-8165-6 190 pages
Section I contains more than a hundred brief essays headed with bibliographic entries, covering aspects of contemporary percussion music. Section II contains more than twenty essays on a broad selection of subjects having to do with music ranging from the symphony to the xylophone. Section III contains several essays of musical scholarship covering analysis, biography, education, history, pedagogy and performance. The biographical sketches are of a professional nature.
"The book traverses an expansive terrain of composers: some of the well known masters who happened to write for various percussion instruments, and others, writing as percussion performers themselves, who have made contributions to the solo literature. . . . there is an entire section devoted to women in the field. Geary Larrick deals at length with the literature on percussion music, and reviews, for instance, catalogues of instruments and the literature written for them. Monographs and methods, both historical and pedagogical, fall within the scope of his discussion, and he has reviewed many solo anthologies (some of which are for students), and collections of orchestral excerpts. . . . Even more diversity appears in his commentary on percussion instruments. Naturally the instruments of the orchestral percussion section are appropriate here, but the Afro-Cuban and Afro-Brazilian instruments appear alongside oriental and biblical instruments. . . . concise and within the reach of every insider. It is even accessible to outsiders, where the world of percussion has remained, until now, incomprehensible. This book shows how vast and variegated that world is." – Richard Pinnell, Chair, Department of Musick University of Wisconsin- LaCrossePrice: $159.95 Larrick, Geary1992 0-7734-9559-2 336 pages
This, the first multiple biography in the discipline of percussion music research, contains an impressive amount of contemporary accurate detail regarding the professional careers of many important percussionists who have held leading positions since the early twentieth century. It also includes a wealth of information in the areas of symphonic and jazz music, including major composers and timpanists. The text is written in an accessible style by a percussionist who is acquainted with a considerable number of the biographical subjects. Among subjects included are Vida Chenoweth, Lionel Hampton, William Ludwig, Jan Pustjens, and seventy-six others. Its bibliographical information is unique regarding the field, and includes reference books, articles, audio recordings, video recordings, and compositions.Price: $219.95 Bracey, John-Paul1996 0-7734-8794-8 172 pages
Marcel Ciampi held the longest tenure in the history of the Conservatoire National Supérieur de Musique de Paris. In his long career he performed at least 60 solo recitals a year and collaborated with most of the musical legends of this century. This book chronicles his career and examines his influence on the Menuhin family, and includes a letter from Yehudi Menuhin for the project, and interview excerpts of Hepzibah and Yaltah Menuhin. The book also includes letters from Georges Enesco, Pablo Casals, Alfred Cortot, Vlado Perlemuter, Yvonne Loriod, Lazare Lévy, and many others. It chronicles the international careers of Ciampi's family. Includes many photographs. This book will appeal to music specialists, teachers, pianists, and anyone interested in another perspective on the music history of this century.Price: $159.95 Neumeyer, David1987 0-88946-436-7 396 pages
Offers material unique in the Schenker literature. Argues for the acoustical foundations of Schenker's theory of music, gives a concise tabulation of elements of his theory, and provides annotated analytic sketches.Price: $239.95 Licata, Thomas2008 0-7734-5176-5 416 pages
A revealing look at the artistic and theoretical output of Thomas DeLio whose original compositions, books, and essays are innovative, wide-ranging and wholly provocative. Through essays written by and in tribute to this composer and theorist his contribution to music is more thoroughly appreciated and understood.Price: $259.95 Larrick, Geary2002 0-7734-7301-7 200 pages
Fifty essays in bibliographic form with commentary, on international and multicultural aspects of music as they relate to percussion instruments, performance, teaching and scholarship. Headings include: acoustics, articles, audio recording review; bibliography of Native American topics; Black history; books reference; building; business and music; children’s literature; compact disc review; composer’s notes; contemporary topics; cymbal history; drum duets; the drum set; French percussion; German bibliography; health ideas; jazz; John Cage; music and sociology; percussion in music education; percussion repertoire; percussion teacher references; Polish music; publication references; reviews; school programs; Siwe’s Books; Tabla Virtuoso; tambourine technique; timpani. Vibraphone review; Whitaker’s; who’s who; women’s history.Price: $159.95 Yaklich, Richard E.2021 1-4955-0843-9 216 pages
Dr. Yaklich breaks down and studies legendary Philadelphia conductor Eugene Ormandy's performing version of legendary Russian pianist Sergei Rachmaninoff's First Symphony. He also explores the relationship between the two musicians, professionally and personally.Price: $179.95 Larrick, Geary2004 0-7734-6363-1 150 pages
This book is a blend of art and science, with the art being music and the science being bibliography. The books is divided into three sections, that discuss subjects of music theory, scholarly sources and new publications from the later half of the 20th century respectively.
The first section of essays address subjects in the area of music theory especially, such as form, sound, rhythm, melody and harmony. The analytical scope ranges from ancient Greek philosophy through contemporary avant garde. Multicultural sources are included, with a base of western art music. However, as is true in the field of percussion worldwide, classical music is combined with popular and jazz musics, in addition to ethnic and educational sources.
In the second section, Books and Articles address scholarly sources such as Professor Benward, Leonard Bernstein, Dr. Cho, the Harvard Dictionary of Music, Forte, Goetschius, Goldman, Paul Hindemith, Jaques Dalcroze, Kennan, Persichetti, Piston, Rameau, Michael Rosen, Salzer, Schenker, Arnold Schoenberg, Dr. Otice Sircy, Shinichi Suzuki, Zarlino and Dr. Zarro. The format is bibliographic essays, with commentary about these notable sources as well as the inclusion of author experience that is related to the subject at hand. In this section, music theory is discussed from the Renaissance to the 20th Century.
The final section Methods and Compositions, studies new publications from the second half of the 20th Century. Composers included are Bach, Beck, Benson, Cirone, Dameron, Dinicu, Erickson, Harrison, Kraft, Molenhof, Pratt, Schinstine, Tchaikovsky, Turlet and Wasson. Pedagogues cited include Balent, Drummers Collective, Firth, Moore, Spohn, Whaley and Whistler.
Discussions incorporate scholarship, analysis, composing, teaching, history and interpretation. An effort has been made to include women in this history as well, although often the citations are from the author's professional experience. Many, many names are part of this monograph, all important people in this author's life in music for more than fifty years. A balance is maintained between classical and popular, tradition and invention, theory and composition, percussion and other instruments. Several ethnic traditions are part of this story.Price: $139.95 Petty, Jonathan Christian2005 0-7734-6007-1 632 pages
This book re-theorizes Wagner’s post-Opera and Drama tonal language in the linguistic terms in which the composer himself conceived and executed the Ring of the Nibelung and Parsifal. Topics include Wagner’s lexical use of key; the composition of semantics from tonal lexicality and orthodox tonal syntax; the cognitive structure of tonal language [TL] semantics, the linguistic coordination of words and keys; Wagner’s concept of Tonal Households and the alignment of TL syntax with poetically specified protagonists, objects, and dramatic situations; key characteristics and TL Lexemes as public cultural linguistic properties; the virtual spatiality of TL syntax and semantics; TL spatiality and spatialized emotions; and tonal cartography. The four scores of the Ring dramas are analyzed bar-by-bar to derive a complete linear harmonic analysis-based readout of each of its keys and claimed lexical referent. The result–over 3,780 TL lexemes–is the first TL Lexicon of the entire Ring. Two concluding chapters on Parsifal discuss its mediaeval sources as suggested by Wagner’s prose writings, letters, and religious discourse to argue for the Gnostic and alchemistic basis of its libretto imagery, lexical tonality, and anti-Semitism. Throughout, lexical theory is argued against in-depth critiques of the theories of Heinrich Schenker and others.Price: $339.95