Rogal, Samuel J. 2013 0-7734-4355-X 900 pages These fresh volumes complemented by thousands of the current editor’s detailed historical, biographical, linguistic, and critical notations, will provide researchers with the necessary background information (substantially neglected by George Osborn) to allow for thorough critical examinations, discussions and analyses of the Wesl
Allen, J. W. T 1991 0-7734-9705-6 172 pages Reproduces in photogravure original pages from several manuscripts of the classical Swahili poem on the Death of the Prophet. The poem is an important witnesss to lore concerning death and especially the death of that paradigmatic human being, the Prophet, among African, West Indian Ocean and Islamic people. Complete transliteration and translation of one manuscript, excerpts from others and of a quotation in a woven mat, with notes on how to decipher and edit texts and literature.
Wood, Carol Lloyd 1996 0-7734-8859-6 132 pages This is the first general study of the earliest poetry in Wales, much of which is attributed to the legendary bards Taliesin, Aneirin, and Llywarch Hen, and some of which even deals with those legendary figures Myrddin (Merlin) and Arthur. It also argues that it had a far greater influence on Anglo-Saxon poetry than most scholars have recognized. Finally, it chronicles a clear and major shift in the way the English are viewed by the Welsh. The English turned from being one enemy among many to the agents of all ruin and loss. By the time of the Llywarch Hen and Heledd cycles, the metaphors of the next thousand years of Welsh poetry are established.
Mellor, Scott A. 2008 0-7734-4856-X 348 pages This work investigates the syntax of ten poems from the Poetic Edda, a medieval Icelandic text, offering data that reveals some of the composition processes and the remnants of the oral tradition from which poetry came. This work demonstrates that the Icelandic poet not only employed verbatim and variable formulae when composing, but also that the structure of the half-lines are formulaic and that their semantic function aids a poet in composition.
Martyn, John R. C. 1998 0-7734-8331-4 568 pages Resende was a true humanist, religious but free of bigotry, devoted to the Classics, a creative writer and a fine scholar on a very wide range of topics, interested in every aspect of Renaissance life and culture. Besides over 12,000 verses of Latin poetry, in almost every Classical meter, Resende composed biographies of Prince Edward and Friar Pedro in mellifluous Portuguese, of St. Gil in perfect Latin, a definitive history of Évora, an account of the battle of Diu, and various archaeological works. Many letters have survived, and he also published his Latin and Portuguese public orations and theological works. This collection includes a short biography of Resende and a large collection of his Latin poems, from about 1515 until his death in 1573, with both the Latin and the English translation.
“John R. C. Martyn offers us an impressive work in this volume, ambitious both in scope and magnitude. . . . the poems are first edited in Latin (with an appended apparatus criticus); the English version follows with endnote apparatus which covers philological commentaries, explanations, etc. Each section of chapter 3 (autobiographical themes, Portuguese themes, Sebastian and Turkish themes, classical themes, nativity themes, religious themes, moralizing themes, and eclogues) is prefaced by an introductory essay which covers a metrical commentary on the poems, an analysis of the theme in relation to Resende’s poetry and to classical and Renaissance Latin poetry, and numerous bibliographical references. . . . Martyn’s work as an editor is of enormous merit, both in editing and commenting on Resende’s poems. . . Martyn’s paramount work is an incentive for future scholarly activity which will contribute to a better definition of the richness and variety of sixteenth-century Latin letters on the Iberian Peninsula.” – Neo-Latin News
Hartley, David 2005 0-7734-6185-X 148 pages The 117 sonnets of Nicolas Filleul's Discours are published here for the first time since their appearance in print in Rouen in 1560. The author was a minor provincial poet, who later had a successful career as a court poet and dramatist, frequently working in the service of the Queen Mother, Catherine dé Medici. The sonnets treat a diversity of themes. Filleul addresses poems to his two mistresses, aims satirical attacks at what he perceives as current abuses, and deals with a range of moral issues, speculating on the nature of honour and reputation, and the advantages of simple pleasures away from the life of the court. Among ancient authors, his principal model is Horace. He is also much indebted to Ronsard's love poetry and to Du Bellay's Regrets, published two years earlier and, like the Discours, combining the elegiac, the satirical and the moral. The purpose of the current edition is to make available to those interested in the field of sixteenth-century French poetry a collection of verse which only survives in the great collections of Paris libraries, and to facilitate the reading and appreciation of Filleul's first publication. While the sonnets may be uneven in quality, they are testimony to the variety and richness of the poetry of the time, and to the enthusiasm with which French poets embraced the revolution brought about by Ronsard and his colleagues.
Ford, Edward 2007 0-7734-5461-6 208 pages This work offers the first translation of the neglected nineteenth-century French poet, Leconte de Lisle, revealing him to be one of the first and most talented of the multi-culturalists. A creole sage born on the Isle of Reunion in the Indian Ocean, de Lisle spent much of his life in Paris working as the national librarian. His work was respected by the major poets of his day, but his Buddhist sense of detachment caused him to be underappreciated. These poems are his most heartfelt evocations of the Orient and the island of his birth.
Strajnic, Nikola 2017 1-4955-0514-6 108 pages Author explores the possibilities of expressing existential experiences of poets and philosophers since ancient times. This collection of essays reviews the original poetic and philosophical views recognized as an alternative to more reductive views such as naturalism or relativistic doctrines found in a postmodern world.
van Leeuwen, Evert Jan 2014 0-7734-4265-0 340 pages This anthology of graveyard poetry is designed to make available to students of English-language literature this once popular but now rather obscure genre of eighteenth-century verse. It contains foundational graveyard poems, innovative and original variations, notable and frivolous imitations, and several odd and noteworthy transformations by British and American poets.
Kahan, Jeffrey 2004 0-7734-6269-4 428 pages William-Henry Ireland's footnote in history is secure: he is the boy who forged the "lost" Shakespeare play Vortigern. Ireland wrote a vast amount of poetry after his exposure, some of which was widely popular, yet to date, William-Henry Ireland's verse has received almost no attention and has, until now, never been collected, professionally edited, or even sampled for anthology. This volume samples Ireland's post- Shakespearean poetry, beginning with Ballads in Imitation of the Antient (1801) and concluding with his satirical Scribbleomania (1815).
Campbell, Danny C. 2002 0-7734-6856-0 224 pages Studies early 17th century dramatic themes, characters, and rhetoric in relation to recent advances made in understanding Milton, Machiavelli, and political theory in general as it developed after Elizabeth I’s death. It provides a vital and long-neglected connection between the revenge drama so popular after Elizabeth’s death and the political atmosphere of dissent that led to Charles I’s beheading.
Bergstrom, Carson R. 2002 0-7734-6909-5 353 pages This is the first work to study the relationship between the rise of science in the 17th and 18th centuries and the rise to major genre status of the lyric genre. It argues that the epistemological, linguistic, and methodological principles which underlay the rise of the new science also influenced the ways in which poets and critics conceived of the significance and cultural value of the lyric genre. Relying on a wide range of critical commentary from the 17th to the late 18th century, much of it from little known or unknown critical writings, the study shows how the lyric genre became the key for understanding poetry and the function of poetry. It offers a model for understanding the relationships between literature and other cultural experiences, encouraging critical, historical, and multi-disciplinary research.
Ramos, Lilian 2015 0-7734-0077-X 220 pages The often ignored literary treasures of Austrian Poet, Peter Rosegger, have been rediscovered for the resurgent reader’s interest in this inspiring book. Once relegated as a poet of ‘mere’ rural literature we discover now a poet who transcends the genre of rural literature with considerable prophetic insight into the socio-political infrastructure of his day with a profound understanding of the challenges facing a futuristic directed society.
Jackson, MacDonald P. 2002 0-7734-7305-X 228 pages This selection is designed to display the range of Eugene Lee-Hamilton’s verse at its best. Though this late-Victorian poet was praised by reviews of his own day, including John Addington Symonds, and is represented in modern Oxford and Penguin anthologies, there has been no 20th century collection of his poems. This volume has a long introduction summarizing Lee-Hamilton’s strange life, outlining his poetic development, and placing his verse in its 19th century context. Notes record the textual sources of all poems and discuss Lee-Hamilton’s revisions.
Hurley, C. Harold 1999 0-7734-7913-9 168 pages This study not only enables a modern audience to assess more fully the nature of Milton’s creativity but also to experience more clearly the companion poems as Milton’s contemporary readers – unencumbered by several centuries of scholarly commentary and accretion – might have experienced them.
Jackaman, Rob 1995 0-7734-2275-7 344 pages Drawing on the author's experience both inside and outside the British literary milieu, this volume gives a unique and often contentious view of the late-twentieth-century poetry canon, and the way that this canon has been established. As well as offering an interpretive overview, the book is valuable in suggesting different perspectives on the poetry of several specific key figures writing in Britain, such as Philip Larkin and Seamus Heaney. But it does not neglect other writers who have been forced onto the periphery of the poetry-publishing world, such as representatives of various ethnic and gender groups working in Britain during this period (e.g., the Northern Ireland frontier, West Indian poets, feminist poets). It adds up to a stimulating and provocative account of what's been happening in British poetry in recent years.
Delisle, Fanny 1974 0-7734-0658-1 325 pages Incorporates the important assessments of all major annotated Defence editions, and selected opinions from general criticisms. Suggests new sources and views of Shelley's thought. Shows the diversity of the views of the critics. This study will bring a deeper understanding of the true poetry and synthesis of Shelley's Defence.
Delisle, Fanny 1974 0-7734-0365-5 320 pages Incorporates the important assessments of all major annotated Defence editions, and selected opinions from general criticisms. Suggests new sources and views of Shelley's thought. Shows the diversity of the views of the critics. This study will bring a deeper understanding of the true poetry and synthesis of Shelley's Defence.
Sigel, Scott 2007 0-7734-5464-0 144 pages This study examines the way in which poetry, in this case the poetry of Fernando de Herrera, could function as an expression, and not simply as the result, of significant change in the social and economic ordering in sixteenth and seventeenth century Spanish life. The rise of the monarchical order, now based on imperial interests, replaced the earlier medieval dependence on theological justifications for the sate with a newly defined structure of secular beliefs and behaviors. Part of this emerging secular order was felt in poetry as a system of regulating principles and practices known as poetic decorum. The emergence of this defined aesthetic of the secular is revealed in Fernando de Herrera’s poetry, in both his awareness and use of this system of decoro.
Markham, Jacquelyn K. 2014 0-7734-4259-6 632 pages This volume brings together for the first time nearly five hundred poems by Charlotte Perkins (Stetson) Gilman, one of the most influential thinkers of her time. It represents the significant poetry this writer, lecturer, feminist, and pioneer sociologist chose to publish during her lifetime.
Cappucci, Paul R. 2002 0-7734-6912-5 220 pages This is the first in-depth analysis of the ways that the 1913 Paterson silk strike influenced Williams’s early development as a modernist poet and his creation of the long poem Paterson. It will interest those who study the relationship between literature and history, the tension between art and politics, and the representation of labor and class.
MacGowan, Christopher 1984 0-7734-1986-1 160 pages The aim of this study is twofold: to document Williams' interest in and response to such movements as vorticism, Dada and the American "local school," and to apply this background material to a close examination of his verse as he moved toward the complex structure of Spring and All. The book uses sources from unpublished Williams material, and draws upon many uncollected articles that appeared in the "little magazines" of the 1910s and 20s. This study has an international scope, recognizing Williams' important relationship with Ezra Pound and also his interest in the work and theories of Kandinsky.