Subject Area: Gender Studies
This work is the first comprehensive, full-length work on Alice Duer Miller and her contributions to American letters and cultural history. This original research will be of practical use to researchers and scholars in the areas of American literature, American studies, film history, Broadway history, and gender studies.
This study is unique in that it analyzes the attitudes of a female sample stratified according to religious tradition (Catholic/Protestant). The sample was also stratified by age (21-45/46-70 years) and location (rural/urban). Irish sociological, social psychological and feminist scholarship has produced diverse work concerning many facets of Irish women’s lives, but little research has specifically focused on the attitudes of Irish Protestant and Catholic women as distinct groups.
This work far exceeds any published work in breadth and depth on issues related to both gay and lesbian domestic violence. It includes preliminary results of two groundbreaking research projects; includes detailed information on assessment procedures and evaluation instruments, treatment modalities for gay and lesbian victims and batterers, and impact and intervention techniques for children of same-sex couples witnessing domestic violence. The chapter on ethics will assist professionals in specific fields (e. g. nurses, social workers, psychologists) to apply their ethical standards to gay and lesbian couples experiencing domestic violence.2008 0-7734-5044-0
This work documents one man’s transition to womanhood. Diary entries complement each stage of the experience. Never before has a transgender narrative been presented in such depth or detail.
This study explores the formation of gender identity and the sexual practices of teens
in Kumasi, Ghana within the context of the growing emphasis on formal schooling.
Direct interviews with students, teachers and members of the community offer a rich
variety of data that allows for important conclusions about shifting conceptions of
family, education, production and reproduction.
This book includes 166 articles discussing specific issues related to infanticide.
Each is cross-referenced with related articles. The volume also contains an extensive
This study in economic anthropology focuses on micro-changes in economic and social orders in Eastern Europe, mainly in Bulgaria and Yugoslavia, of the 1990s.
This study fills a major gap of Carter’s reception and enters into dialogue with current post-semiotical theories of the embodied subject by virtue of focusing on the dynamics of the meaning-in-process concomitant with the subject-in-process (Kristeva 1985) and the body-in-process. Through a corporeal narratological method—a close-reading interfacing of semioticized bodies in the text and of the somatized text on the body—I decipher how the ideologically disciplined, normativized-neutralized, ‘cultural’ body and its repressed yet haunting transgressive, corporeal, material ‘reality’ (are) (de)compose(d by) the Carterian fiction’s destabilizing discursive subversions and vibrations surfacing in narrative blind-spots, overwritings, textual ruptures or rhetorical manoeuvres.
Examines the charms and, more closely, the dangers of boyishness in American culture. Argues the paradox of American culture by drawing from the allied disciplines of literature, history, and psychology, from sources as venerable as the classic texts of our civilization and as current as today's headlines. In the words of one journalist, "our dreamy, drifting culture throws off dangerous, drifting dreamers," the kind of men who shoot our presidents, of course, yet also the kind of men who sometimes become president.2009 0-7734-4854-3
This work presents the emerging theory of transcendent pluralism and its application in a study of Catholic supporters of same-gender marriage. Transcendent pluralism is an emerging knowledge and values-based theory of human dignity for addressing contemporary social issues rooted in human devaluation such as group bias, social injustice, health disparities, human rights violations, violent conflict and genocide. Transcendent pluralism is grounded in a philosophical explication of human dignity and has been influenced by the writings of twentieth-century philosopher and theologian, Bernard Lonergan.
The legalization of same-gender marriage in Massachusetts brought the issue of bias against gays and lesbians into public discourse. During this controversial time, many of the theoretical constructs of transcendent pluralism were manifested, particularly among Catholics who support same-gender marriage. In order to investigate and refine the theory, a study was conducted of Catholic same-gender marriage supporters, using a qualitative research method adapted from Lonergan’s transcendental method.
The study results reflect personal and community development involving mutual transformation with progressive understanding and realization of human dignity. This work will appeal to people who are interested in cultural pluralism, group relations, philosophy, Lonergan studies, humanities, social justice, human rights, gay and lesbian studies, Catholicism, ethics, research methods, nursing and health disparities.
Historically, education in Scotland lies at the heart of national pride and has been widely acclaimed as a more democratic and meritocratic system in terms of wider access to schools and universities when compared with England. One of the main paradoxes which this book unpacks is the that under the Scottish public co-education structure, schoolmasters did overall benefit more favorably within this distinctive tradition whereas the treatment of women teachers as an occupational group in relative terms was more ideologically undemocratic and patriarchal in relation to their female counterparts under the English system. This book sets out on a historical journey and embarks on the reconstruction of policy formation on gender and occupational segregation in the elementary (now called primary) school teaching and it shows that there was nothing ‘natural’ about that process.
This is the first English language book to systematically examine the life and art of Mei Lanfang (1894-1961). Mei, who specialized in female roles in classical Chinese theatre, especially jingju, is widely considered the greatest actor of twentieth-century China. This text includes analyses of his work from Chinese, Western, Russian,and intercultural perspectives.
Provides insight into the issue of women in third world development processes. Examines the role of women in Kenyan society, focusing particular attention on the participation of women in economic activities and key political institutions in the society.2015 1-4955-0361-5
An unexpected and surprising discovery of the many ways metaphorical language shaped the discourse of domesticity as depicted in women’s press and in Zola’s oeuvre. This book examines that structuring effect as it evolves in the department store, the bedroom and the kitchen.
This book presents studies concerning press coverage of sensitive equal opportunity issues in the American military services during the close of the 20th century. After discussing the role of the mass media, the book deals with press coverage of sexual harassment, media coverage of reports on equal opportunity issues and race relations, and the press’s handling of gender-integrated training in the military services. The final chapter includes discussion of embedded reporters, coverage of Private First Class Jessica Lynch, and media credibility and responsibility.
The work argues that the ascendency of croquet as a popular sport in England during the middle to late nineteenth century was a direct result of class. He traces the history of the sport and finds that it was one of if not the first sport that men and women could enjoy together. The game initially had an elite social status attached to it: it was first seen as a game suitable for the British gentry, especially for those families whose estates had extensive lawns, or for families wealthy enough to join croquet clubs. It attracted many people because it had a certain ‘snob’ appeal and formed as an upper class leisure time activity, and developed with the middle class due to their rising number at that time.
This book examines socio-cultural and gender-based barriers Kenyan secondary school girls face. Currently, research has focused on increasing girls’ enrollment rates to ameliorate the gender gap in African education. This research demonstrates that while it is important to have more girls attend school, girls today are disproportionately placed in inferior schools and confronted with gender-based attitudes that negatively impact their educational opportunities.
Why do female faculty members report lower job satisfaction at American universities? This book uncovers some of the reasons why women leave academia and why they feel disrespected by colleagues. Scruton tries to discover what factors lead to job satisfaction among women in higher education.There has been sparse literature on why women leave academia. This book aims to fill in that gap by offering new methodological reasons as to why women feel alienated in institutions of higher learning, and eventually leave.
This work demonstrates that earlier Christian perceptions of virginity, once dominant in Catholic England, although suppressed by Protestantism, maintained enough influence to transform an unmated queen with no successor into a divine virgin goddess
A soundly documented, uncompromisingly original work that directs readers to re-examine the classic texts and tropes of Austen’s novel, Northanger Abbey
, Orientalist sub-fields of Cultural studies, and intriguing aspects of the Tarot in a postmodern context. The author points students and scholars to examine neglected aspects of academia, and in so doing, furthers the interdisciplinary agenda of the Cultural studies field.
This collection examines the nexus of mothering, feminism, and theatre. The work examines the portrayals of mothers in literature and on the performance stage, and makes a contribution to studies in dramatic literature, women’s studies, feminist theory, and theatre history.
The only collection of its kind to be produced with a single, cutting edge theme, and to gather recent and upcoming scholarship in the area of gender and sexuality. Literary analyses feature prominently in the collection but essays from the disciplines of English, Film and Media Studies and Women’s and Gender Studies help to widen the scope of the topic as well as provide genuinely interdisciplinary dialogue.
The recent attempts to change the traditional Trinitarian formula in baptism in order to rid it of masculine language raises questions concerning the nature of revelation and tradition. The study also examines the work of feminist theology which has provided a means for a radical rethinking of religious experience.2012 0-7734-2663-9
Rich discusses Guinevere as a mythical character who embodies a set of mythical traditions that span several centuries. Often depicted differently her legacy has yet to be fully recognized because she is overshadowed by Arthur. This book seeks to correct that problem and fill in a gap in the scholarship by providing an extensive study of the ways she has been represented from medieval times until today. Rich draws on notable scholarship like C.G. Jung’s individuation process, and Joseph Campbell’s hero journey, as she strives to uncover an authentic account of Guinevere’s story. This work explores her struggles, honors her otherworldly origins, and imagines her in an androgynous world that allows her to be her own person, marry for love, care for the earth, and tend to soul; not one into which she tries to fit, but one that she helps to shape.
Centering on authors whose work represents the Galician region of northwestern Spain, this book showcases women writers who deal with feminist themes. The narrative structure is also analyzed and the main focus is to show how women are represented in the novels of several female authors.
This is the first ever publication of Fiametta
, a five act play by the Irish poet, playwright and political activist Eva Gore-Booth. The manuscript of this previously unpublished play was discovered amongst the personal and literary papers of Gore-Booth. This is an exceptional find. It is rare indeed that an unpublished work, by a celebrated Irish author, is uncovered so many years after their death. This play is a significant contribution to the body of Eva Gore-Booth’s literary work. Fiametta
contrasts with Gore-Booth’s other dramas and therefore, adds a new perspective to critical analysis of her work. This volume includes an introduction and brief synopsis of Gore-Booth’s dramatic works and a note on Fiametta
This empirical study describes the relationship between discrimination against gay teachers, the way teachers manage their identity, and their self-esteem, including acceptance of self and acceptance of others. It describes the need for this research in its historical context, reviews the related literature, presents the methodology and findings, and recommendations for future research. It documents the lack of substantive differences in personality characteristics, and offers useful data that can foster insight and knowledge too often missing in emotionally-charged debates about gays in the professions.2008 0-7734-5144-7
This study explores the age and gender discrimination faced by female newscasters and the legal remedies they can employ to rectify illegal termination. The study also evaluates other non-industry cases of unlawful employment practices concerning grooming, dress codes and appearance standards.
This book analyzes the intersections of gender, caste and the (re)telling of history in the narratives by two contemporary South-Asian women writers in English of Malayalam descent, Arundhati Roy and Githa Hariharan. The authors have chosen two novels: The Thousand Faces of Night (1992)– winner of the Commonwealth Prize for Best First Book– by Githa Hariharan; and The God of Small Things– winner of the Booker Prize in 1997– by Arundhati Roy. Githa Hariharan represents the reality for a considerable section of Indian womanhood inserted in a brahminical, high class environment, and Arundhati Roy depicts the fatal consequences of the inter-caste sexual relations in a supposedly caste-less Christian and at the same time communist community. The overall purpose of this study is to unravel, expose and analyze how these authors create new possibilities, using two main strategies: first, re-defining female subjectivity in the critical juncture of caste and gender, and second, by reinterpreting history. Telling stories, that is, creating history, is in itself a way of producing new entities, new identities. Consequently, from this angle, plotting family and lineage is very relevant. Roy’s and Hariharan’s stories call for a re-vision and transformation in the three main power structures–State, Religion and Family–subverting, thus, the canon and claiming the subalterns’ space in History.
Using feminist, psychoanalytic, and deconstructionist approaches to Torquato Tasso's 1581 Gerusalemme Liberata (Jerusalem Delivered), this book argues that Tasso explored alternate modes of writing and reading by reflecting on the genealogical tales of his non-Christian women characters, Clorinda, Erminia, and Armida. They permit Tasso to explore what it might mean to ask an alternate series of questions about one's relation to the father. By examining the interpretive and ethical questions that rise from the problematic genealogies of Tasso's orphan daughters, we arrive at a better understanding of the relation between the poem's dominant ideology, on one hand, and the stories that it seeks to suspend and displace on the other.1998 0-7734-2243-9
Breaks new ground in understanding the history and evolution of describing gender identity issues in fiction. Asserts that for lack of usable tropes for speaking of changing gender roles, several prominent novelists began to use the language of insanity as such a trope. This builds a new foundation for the understanding of the difficulty, for example, feminists of the 1970s had with phallocentric language and the lack of workable tropes to express femininity in a positive sense, instead of a Lacanian 'absence' mode. This work establishes such trope usage in novels circa 1850 and 1900, and compares linguistic change in light of societal change.2002 0-7734-7309-2
Mary E. Wilkins Freeman’s tales for and about children arose out of cultural constrictions formulated by a strict adherence and obedience to the Puritan values embedded in New England history. At the time she wrote these stories, New England was experiencing a population decline fueled by massive changes in industry and farming, and the effects of war. With young, industrious men pouring out of rural New England, Freeman concentrated on the women and the weak men who were left behind. Role models for boys were hard to find, and respectable mates for girls were few. Consequently, the lines dividing gender roles got blurred in Freeman’s world, and she set out to redraw the lines by redefining the roles of men and women for children. This text not only discusses the impact of such cultural and historical forces on gender in her writing, but it also categorizes both collected and uncollected tales by grouping together the products of Freeman’s gender instruction.
These readings of modern Portuguese, Brazilian, and Portuguese African texts articulate a challenge by drawing on different theories of how gender, ethnicity and class relate to the production and reception of culture. Consequently, the collection juxtaposes and connects new readings of well-known literary figures such as Ariano Suassuna, Agustina Bessa Luís, Hélia Correia, Henrique Teixeira de Sousa and Clarice Lispector with readings of "popular culture" as represented by samba, circo-teatro, images of women in advertising and oral narratives from the southeast of Brazil. A variety of different critical and cultural discourses is brought to bear, ranging from Lévi-Straussian structuralist myth analysis, poststructuralism and Marxism, through liberal feminism and "images of women" criticism, to French theories of écriture féminine and ecofeminism. The diversity of the critical approaches adopted demonstrates both the potential for new "coalitional" connections and the demands imposed by deconstructing the Lusist canon. The book will be of value to anyone teaching or researching in the area of Portuguese literature, literary criticism or Cultural Studies who is interested in feminism, race/ethnicity, social class and popular culture.2008 0-7734-5235-4
This book examines the various representations of the female body in four contemporary Mexican and Chicana novels written by women: Los recuerdos del porvenir
(1963) by Elena Garro, Nadie me verá llorar
(1999) by Cristina Rivera Garza, La piel del cielo
(2001) by Elena Poniatowska, and Caramelo
(2002) by Sandra Cisneros. This work also analyzes the depictions of the female body in these novels from the perspectives of space and violence, abjection and national progress, sexuality and sensuality, and visibility and invisibility.
Medb of Connacht, a central female character of medieval Ireland's Ulster Cycle is read traditionally as an example of a misogynistic, patriarchal Christian campaign to suppress and silence women in early Ireland, or as symbolic of a primordial, mythic pre-Christian goddess, exempt from patriarchal censure because her behavior is ascribed to her duties as a divine sovereignty figure. In addition, this work provides the first comparative and comprehensive character analysis of the Connacht warrior queen across numerous tales in which she appears as a major player, presenting a more complete picture of her character across the tales than has previously been offered. Such an approach also allows for a reading of Medb as a literary reflection of the socio-political tensions present in the historical period during which the texts emerged, and perhaps as a reflection of historical women who helped to produce those tensions in their societies, including gender-related tensions every bit as complex and complicated as our own are today.
Christianity has become a major influence on African life. This book studies the way that sixteen African widows cope with grief by turning to Christology. Their daily lives are documented and show that they survive through their faith in Jesus. Most of them pray almost everyday, and their relationship with God reflects the different ways that each of them experiences grief. Several of the widows lacked genuine and binding companionship because people consider them burdens. So they stay away from public spaces and feel lonely, which could be the reason why they compensate by creating a relationship with God. Most of these women also conceal their loneliness because it often creates worry and anxiety in their children so they cry alone and in private.
The roles of men and women in Ireland have changed a great deal in the last fifty years and many of these changes can be attributed to the dual influence of the Irish Women’s Movement and Ireland’s inclusion in the European Community/Union. While these two influences affected many rapid legal changes toward equality for women and men in Ireland, Irish society has been slow to reflect these shifts. The novels examined in this book reflect the gap between these legal and societal changes.
This book articulates a Roman Catholic theological understanding concerning salvation in Jesus Christ that can be transformative of physical and sexual male violence against women across the world. It identifies key elements for a working definition of such complex violence, and highlights the pervasiveness and seriousness of the violence with quantitative data. For the Catholic believer the violence is graver still because a Catholic component can often be identified in the violence. This component is illustrated in the book by qualitative data about Catholic women who suffered incest. Employing the foundational and methodological framework of the praxis of authenticity in consciousness that Bernard Lonergan has identified, and that everyone can verify in their own experience, as well as its specifically Christian conversion component, the book provides grounds for making the situation of violence a theological matter. The book’s argument progresses by following Lonergan’s definition that theology functions to mediate between a religion and a culture and that the function of ‘systematics’ in method in theology is to construct contextualised understandings for the sake of ‘doing the truth in love.’ Theological meanings transformative of the situation of violence are elaborated in the book in terms of how to conceive salvation in Jesus Christ. Such an understanding of salvation is constructed by drawing firstly on meanings for salvation in scripture that are dialectically opposed to destructive meanings that the Catholic women, who suffered incest, referred to above received and believed concerning salvation. Insight into these biblical meanings is deepened by drawing on the theologies of salvation of Karl Rahner, Gustavo Gutierrez, and feminist responses to Gutierrez’s theology. The transformative meaning for salvation is developed further by addressing the issues of the male Jesus as saviour and his violent death of redemption in ways that can serve the struggle to stop male violence against women. The book ends by drawing attention to recent documents on male violence against women by Church leaders that make specific reference to a transformative role for theologians and by calling for third level theology colleges to take account of the pertinent violence as a theological imperative and to collaborate with others in the field of concern as part of the function of theology.
In the films of Pedro Almodóvar one experiences a vivid representation of Spanish life. His films are discussed here in lieu of gender relations, power dynamics, Spanish cultural identity, and inter-textually with other directors such as Alfred Hitchcock. The essays are written in both English and Spanish. They try to bring together a broad variety of interpretations to his popular films. Many articles deal with issues of gender and representations of cultural iconography from Catholicism on love and death.
Through a variety of authors and angles, as well as in two languages, this volume opens new perspectives on the films of Pedro Almodóvar. This work portrays how Almodóvar reaches into Spanish history and utilizes social changes that followed the fall of Franco to form his aesthetic creations. The book links the transformations of Spanish society and that of the evolution, if not the maturity of the filmmaker as he observes a society that is finally free to be and become what it desires. Each chapter reveals how the audience can witness the auteur’s maturation at the same pace as that of the Spanish society. Just like Almodóvar’s films, often criticized for their complex plots, today’s Spain is a complex mosaics that is constantly evolving and adjusting to the world that surrounds it. If many questions about what defines and inspires the filmmaker’s personal vision of the world still remain, one thing is for sure: the Almodóvar phenomenon has established an international image of Spain that is open and yet traditional, vibrant, and dynamic.
This is a study of women writers of the African Diaspora and their articulation of the erotic as an important aspect of human experience beyond the limits and expectations of society. Within the imaginary scope of the works of Audre Lorde, Toni Morrison, and Dionne Brand, the erotic is made manifest through rewriting narrative and poetic form.
Over a period of forty years, Dr. Carlisle has examined and interviewed several thousand sexually dysphoric persons, transsexuals and transvestites. This book provides an analysis of the mass of data resulting from this work, illustrated by verbatim accounts. This is the first such account since that of Dr. Benjamin, over thirty years ago.2003 0-7734-6754-8
Since the challenge of feminism to the predominant patriarchal outlook on the world, modern man feels displaced, and a plaintive note has entered the discourse on gender. The problem is not only discussed on an academic level but has become part of popular culture. Role models for men have become as varied as they have been for women since the emergence of feminism. These essays deal with the combined topic of male gender roles and the fantasy genre which allows a particularly wide scope for the investigation of roles.
A book that uses firsthand interviews with Hispanic women leaders to better understand how they obtained professional success in the United States. It examines what barriers they overcame, and what strategies they used to get by obstacles. There are twelve Hispanic women in leadership positions in academia, government, and private sector employment who provide rich data for this study.
The results of this study prove that there are key ingredients to success in life. Hard work, family support, self-respect, determination, goal-orientation, helped these people to accomplish their career aspirations.
With a focus on missionary women and men in the Norwegian Missionary Society in Madagascar and Norway, this study provides an in-depth examination of how gender relations are negotiated in a religious organization. The time period covered (1860-1910) coincides with colonial efforts of major European states. The book also discusses how aspects of class, race and sexuality must be taken into account in studies of gender relations in the missionary movement. It shows, for example, how marriage propositions and sexual relations between white missionaries and black converts were dealt with by the mission organization in Madagascar. Other topics include the attempts of Norwegian missionary women to impart a form of domesticity to Malagasy girls, their efforts to establish direct links with the broader feminist movement, and the gradual democratization of the mission organization both in Norway and Madagascar.
Using statistical analysis the book shows how male Japanese professors in American colleges handle themselves in the classroom. The study is based on surveys. It shows that the length of stay in America impacts the way male Japanese professors resolve conflict. There is also a lengthy comparison between female and male professors.
The work is the most comprehensive, current record of research and scholarship concerned with explicating Julian of Norwich's Showings
. This bibliography includes a handbook of information related to mystics contemporary to Julian, as well as information related to the life of the religious of Julian's era.
The aim of the critical anthology La escritura de mujeres en Puerto Rico a fianles del Siglo XX y principios del XX!: Narradoras, cuentistas, cronistas, relatoras/Essays on Contemporaray Puerto Rican Writers is to discuss and expose the writings of Puerto Rican women writers within the context of the 20th century and 21st century literature of Puerto Rico and Latin America. The methodology applied by scholars to each author’s writing/s is eclectic. Each scholar has utilized different theoretical approaches within the frame of distinct women literary voices. The anthology counts with a variety of writing and literary styles that set apart from traditional literary writings. Essays, chronics, short stories, novels, and other narrative genres are represented. Each author has also explored in their writings different topics that range from social problems, history, women place in society, negritud (Black African culture), autobiography, and costume sketches, among other themes.
The study examines the works and literary careers of two of Spain's most commercially successful contemporary female authors: Almudena Grandes (Madrid, 1960-) and Lucía Etxebarria (Valencia, 1966-). The work analyzes issues pertaining to Spanish women writers over the last two decades and how the values inscribed in the authors' literary universes highlight the ambiguous fragility of constructions of identity and gender. In Spanish.
This book presents an extensive study of the common thematic and stylistic features present in the artistic production of the avant-garde painters Maruja Mallo, Ángeles Santos and Remedios Varo. Dr. Zanetta comparatively analyses the visual manifestations of these women painters that result from the competing theories of gender and sexuality central to the various ideological struggles of their period. The author studies the ways in which these women artists reflected in their works the new relationships and dilemmas of social change and feminist activity in Spain. Using as theoretical background many of the feminist theories of their time such as Joan Riviere’s notion of “Masquerade” or Simone De Beauvoir’s concept of woman as “the other” as well as contemporary feminist psychodynamic theories of gender and representation, the author demonstrates how these artists not only reacted against the misogynist conception of women that permeated the avant-garde movement but how they also proposed a new version of womanhood based on their own realities and experiences. The study of their work from this perspective clearly demonstrates that these three artists are outstanding pioneers in the field of feminist art, anticipating in their work many of the artistic trends that nowadays are considered by feminist art historians and critics as truly representative of the female experience. In Spanish
This work examines some of the sources that María de Zayas uses to present some of her concepts about the devil, evil, men, honor and love in relationship to the supernatural. Contrary to some modern critics, the Spanish people of the Seventeenth century were very much aware of the significance, customs, and relevance of these supernatural beliefs in their lives.
This is the first in-depth study of Title II, Book IV of Alfonse X the Wise, a legal document based on the canonical laws that infiltrated the social life of thirteenth century Spain. It is a valuable scope to the history and development of the philosophical doctrines and theological mentality of the Latin Fathers of the Church that molded every aspect of the matrimonial behavior for the Christians during the Middle Ages.
The purpose of the present work is the study of the access of women to literature in sixteenth-century France, a period not considered to be conducive to the awakening of female writers. This book focuses on the different steps of personal writing and the analysis of the women’s literary work. This book contains seven color photographs and six black and white photographs. In French.
The life and works of Sir Philip Sidney, the highly innovative Elizabethan author and statesman, become remarkably relevant to us today when they are viewed, as they are in this book, as explorations of the pleomorphism of gender. Sidney's revealing correspondence with his tutor Hubert Languet displays a friendship that seems to have developed into a homoerotic attachment or Greek love and thereby problematized Sidney's own gender. That personal gender problematic explains, as this book demonstrates, why Sidney's early masque The Lady of May can be read simultaneously as a textualisation of the instability of gender difference and of Sidney's relationship to his Virgin Queen, Elizabeth I. After tracing the same themes through Sidney's Old Arcadia, it focuses on his sonnet sequence Astrophil and Stella. There it returns to his problematic homoerotic attachment to Languet, finding in it a new answer to the age-old riddle of those famous love poems.
This book is a study of male-female relations in two acclaimed novels by contemporary Maghrebi Francophone author and French intellectual, Tahar Ben Jelloun. The problematic of male-female relations in the Maghreb, especially as represented by Tahar Ben Jelloun--with its extensive and overarching implications and possibilities within and beyond the realm of literary enquiry--has not received due scholarly and critical attention up until now. This study responds to the need for a holistic understanding of these male-female relations.
This volume makes a solid and timely contribution to the field of Francophone literature in general and Ben Jelloun studies in particular. Presenting original analysis and rooted in extensive research, it fulfills a major need in the discipline. As a literary study with solid sociological underpinnings it will provide researchers and scholars, as well as lay readers, a comprehensive and in-depth understanding of Tahar Ben Jelloun’s writing in terms of content, ideology, and style, in addition to a better understanding of the Maghreb and of Muslim cultures and societies in our present times.
A new narrative on the writers who paved the way for the modern goddess movements. Utilizing themes of both the occult and magic as well exposing previously undiscovered parallels between the three writers, this book identifies how the advent of the feminine divine enabled men to confront their woman centered rage through embracing a modern form of goddess worship in order to soothe their psychological wounds.
This book locates a literary study of the goddess in Lawrence, Fortune and Hughes within a narrative in which some modern men try to confront their yearning anger toward women by embracing goddess religion. The author argues that his chosen writers each helped this narrative to emerge, The book (a) offers Lawrence readers a new angle on his preoccupation with the goddess; (b) introduces Dion Fortune (virtually unknown outside her cult following) as an important twentieth century writer on marginality and sexuality; and (c) shows how Ted Hughes’ narratives of the suffering goddess (in Gaudete
and Shakespeare and the Goddess of Complete Being
especially) relate forwards to his own Birthday Letters
and backwards to Lawrence’s Lady Chatterley’s Lover.
The author also takes magic and the occult as a theme linking the three writers. In doing so he aspires to place his book in the company of other texts which have also taken the occult in modern literature for their subject.
This book documents the development of museums as agents for women’s empowerment in Morocco and how the existing programming and physical facilities of museums can be effectively used to benefit women culturally, politically, economically, and personally. Also, identified are the relevant issues of public/private space, discrimination, image reinterpretation, global awareness and gender equality. It augments the author’s previous publications on women’s empowerment and concludes that Moroccan society is slowly becoming ‘feminized’ due to the emergence of women as civil servants, curators, political activists, voters and participants in the higher educational system.
This book accounts for the varying popularity of Margaret Laurence, Margaret Atwood, and Marian Engel according to their treatments of Canadian and female identities during the 1906's and 70's. She demonstrates how their portrayals of female and national characters were understood at the time according to identity issues championed by the Canadian national and second-wave women's movements. As these movements created particular expectations of gender and nationality, critics responded with a commitment to romance rather than realism in their reading practices. Consideration of these novels through historical lens allows her to show how, as political conditions changed, so, too, did understandings of gendered and national identity in the same texts.
This book explores gender and the body in relation to the postmodern condition, challenging the stability of modernist understandings of gender and making a case for viewing gender as a pedagogical tool rather than as a threat. The research was conducted online among female-to-male transgender and gay men participants, presenting a complex methodological analysis to further question the stability of subjective gender identities. Historical moments when technology and gender have collided are considered as illustrations of the possibilities inherent in technology for renegotiating gendered identities. Further, contemporary debates about boys and academic underachievement are critically examined to illustrate how the resistance to a gender analysis may perpetuate educational inequities. This text offers the potential for building new theories to address gender gravity as a force that can be actively resisted and renegotiated as a part of everyday educational practices.
This book provides the most in-depth analysis of contemporary Japanese women’s magazines to date. It focuses on the period from the 1970s to the 1990s, as these decades have seen significant and long-lasting changes in many aspects of Japanese society, in particular regarding Japanese women. Discourses on ‘marriage’, ‘love’, ‘sexuality’, and ‘masculinity’ lie at the core of a qualitative and quantitative content analysis. In German.
Most studies on honor killing look at it as an extension of Islamic beliefs. This book takes a different approach in that the concept does not arise from any religious text, but rather is a result of a community that is utterly patriarchal in its social orientation. The oppression of women is not mandated by any religion, but rather it is a result of a community where women do not have a viable voice and as a result are treated violently. Over five thousand women are subjected to honor killings each year and this is a moving testament to solving the problem.
The title comes from three domains within the bounds of Early Modern Spain and follows from the renewal of historical studies dedicated to the Iberian peninsula. The books is divided into three parts: Religious Control and its Limits in the Iberian World; Images of the Body in Spanish Society; and Women, Gender, and Family in Hapsburg Spain.2015 1-4955-0373-9
The volume focuses on a series of case studies which cover a wide range of experiences and ages. Thus, it aims to provide the reader with a relevant image of the writing of these female intellectuals and the paradox Romanian women occupied during the Cold War period. The cases discussed are relevant both for their diverse narrative formulas and for their content, including their historical meanings as well as their multidisciplinary appeal.
This collection of essays philosophically examines strength, considered in its brute, physical sense. This is the only book of its kind solely dedicated to physical strength. Each contributor has expertise in strength sports, three at the world-class level, or in an area of philosophy of sport, related to strength.
This work examines the life and works of the Peruvian essayist Antenor Orrego (1892-1960). It analyzes aspects of his work, such as the beginning of the career of the great poet César Vallejo and his belief in Latin American unification. In Spanish.
Analyzes how Joan of Arc’s heroism is deliberately undermined in film through the repetition of interpretations of her which enforce conventional patriarchal constructs and limit her heroism. This book contains four black and white photographs and five color photographs.
This book, on Postmodernist Arab American literature, offers comparative readings informed by theories and approaches by Foucault, Gramsci, Baudrillard, Said, Gilbert and Gubar, Lyotard, Genette, Deleuze and Guttari, Hutcheon, as well as Saldivar, Villa and Anzaldua.
“Living Theory: A Comparative Reading of Feminist-Postcolonial Resonances in Leila Ahmed’s A Border Passage
(1999) and Postmodernist Reflections in Ihab Hassan’s Out of Egypt”
(1986), studies the two autobiographies as an embodiment and reflection of critical and literary theory. “The Text and the World: Foucauldian and Gramscian Resonances in Historiographic Metafictional Prison Narratives,” offers a comparative reading of Sinan Antoon’sI’jaam: An Iraqi Rhapsody
and the Egyptian Nawal El Saadawi’s Memoirs from the Woman’s Prison. “The Arabian Nights
as a Postmodern Arab American Counternarrative,” offers a comparative reading of “Rhizome,” “Thick Description” and Minority Discourse in Jack Marshall’s The Arabian Nights
(1986) and Moha Kahf’s E-Mails from Sheherazad
(2003). “Technique as Culture in Postmodern Ethnic American novel,” offers a feminist cultural reading of “Barrio-Logos” of the “Nueva Mestiza” in Sandra Cisneros’ Caramelo
and Diana Abu-Jaber’s Crescent,
reading Arab American borderland novel genre within the discursive framework of Chicana critical and cultural theory.
The hermeneutical counternarrative offered by the above writers is a very practical and reflexive one that is told in an exaggeratedly rhetorical or oratorical manner, even when politics, history, dictatorship, exile and imperialism are always lurking at the background. With their nomadic body without organs, Arab American writers have voiced and contextualized their minority discourse. This has been mainly done through technique, acting as culture and embodying the rhizome troupe, elucidating the assemblage of nomadic identities in constant formation and flux.
A new scholarly contribution to eighteenth century British literature and studies reflecting changing gender roles through examination of the behavior of male characters and their social evolution in British Society before and during the Age of Reason.2014 0-7734-4353-3
A new scholarly contribution to eighteenth century British literature and studies reflecting changing gender roles through examination of the behavior of male characters and their social evolution in British Society before and during the Age of Reason.2014 0-7734-4353-3
A new scholarly contribution to eighteenth century British literature and studies reflecting changing gender roles through examination of the behavior of male characters and their social evolution in British Society before and during the Age of Reason.2014 0-7734-4353-3
A new scholarly contribution to eighteenth century British literature and studies reflecting changing gender roles through examination of the behavior of male characters and their social evolution in British Society before and during the Age of Reason.2001 0-7734-7493-5
This book offers original interpretations of three great German-language novels from the 1920s, showing how ecological and feminist debates of today had already been initiated by men at that time. It examines Alfred Döblin’s Berlin Alexanderplatz; Robert Musil’s The Man without Qualities, and Hans Henny Jahnn’s Perrudja. Together, these novels illustrate how notions of masculinity had become problematic even by the 1920s; and suggest how increased self-awareness can improve men’s lives. “Dr. Kingerlee’s level-headed and well-informed reading of these notorious complex texts not only makes them accessible to the apprehensive reader, it also convincingly rescues at least one of them from crass accusations of extreme male chauvinism. . . . one of the major virtues of this highly original book is that it provokes one to ask questions about maleness and selfhood and to test out one’s answers against those which are explored in the literary texts under discussion.” – Richard Sheppard
The book is divided into three parts: Religious Control and its Limits in the Iberian World; Images of the Body in Spanish Society; and Women, Gender, and Family in Hapsburg Spain. These nine thought-provoking essays are revised versions of papers originally presented at the 1990 Annual Meeting of the Society for Spanish and Portuguese Historical Studies in New Orleans.2010 0-7734-1421-5
Departing from the assumption that female-authored drama has developed its own strategies or revitalized older ones, this book traces dramatization of the specific
female experience on the contemporary Irish stage. This work also rescues from
obscurity plays written by lesser known authors.
This study makes an important contribution with its interdisciplinary scope, with chapters on Old Testament rape narratives, medieval and early modern English law and legal practices pertaining to rape, elitist poetry concerning rape as well as popular prose narratives, and pictorial representations of Lucrece, as well as chapters on the drama of the period. It delineates a congruence between rape and pornography, and traces the ways rape becomes effaced as a brutal crime to become an occasion in the service of men, as the context for heroic rivalry among men, or as an act that women secretly desire.
Offers a rare glimpse into the hearts and minds of Vietnamese-American women and their roles in their community. Conflict is generated by the existence of competing traditions, and this text focuses on the conflict between Confucianism and romanticism in the Vietnamese tradition. It also utilizes insights developed in postmodern analytical circles to explain the community's seemingly contradictory reliance on opposing traditions. The study avoids the simplistic patriarchal focus, recognising that the community is much more pluralistic and complex: rather, it is a library of conflicting texts about gender, romance, and religion.2010 0-7734-3842-4
This book examines the emergence from the poetical subtext of the six major English romantic poets of "the androgynous sublime," which conflates elements of the myth of the androgyne, as told by Aristophanes in Plato's Symposium, with the mode of sublimity, first
discussed by Longinus, who cited the account of the Creation in the Book of Genesis as a prime example, and much debated from the 18th century onward. The androgynous sublime may be distinguished from the "terrible sublime" of Edmund Burke and the more recent "phallic sublime" of scholar Thomas Weiskel, who before his sudden demise poignantly implied the need for something more durable. Characterized by a flexuous, limber style -associated with androgynous subject matter, the androgynous sublime subverts conventional notions of sublimity while offering a more comprehensive model with which to supplement, if not supplant them. Examples of the androgynous sublime are Blake's Jerusalem
"Christabel," Shelley's "The Witch of Atlas," and Byron's Don Juan. Interestingly enough, each of these four masterworks was neglected during the romantic period, but they have all begun to come into their own
during the twentieth and twenty-first centuries.
This book contains four black and white photographs.
While race, ethnicity, gender, and class have traditionally been the most important axes along which hierarchical relationships have been defined in American society, recent years have seen an examination of the "intersection" of race and class, or of ethnicity and class, so that some joint combination determines the relative positions of given individuals as well as of groups.
This study investigates the competitive world of pre-professional Western concert dance training and education in the U.S. as experienced and lived by boys and young men, an under-represented population in the field. This work examines the discourses of professional dance preparation through theoretical and narrative approaches that combine to illuminate the highly gendered professional dance world as evidenced through the minds and bodies of male adolescents and young adults.
Provides a comprehensive portrayal of the most vulnerable and disenfranchised groups in society. The book explores racial and ethnic minorities, children, gays and lesbians, women, people with disabilities, religious minorities, poverty, the elderly, and death and dying. The study integrates and dissects the complexity associated with understanding underlying causes and conditions that hinder populations at risk from attaining mainstream access. The text provides multiformity in strategies that can assist social workers in altering social outcomes, promoting a pivotal active emphasis on advocacy, empowerment, and social change.2010 0-7734-3907-2
This book examines the economic history of Kenya from the colonial period to the present, integrating historical methodologies with those of anthropology, economics, education, geography, history, political science and sociology. the book covers topics that have been ignored by previous texts on economic history of Kenya, such as women, indigenous people (Ogiek), pastoralism, irrigation agriculture, livestock, fisheries, religion, community-based organizations (CBOs), NGOs, education and information and communication technology (ICT).
This study challenges the heterocentric and Eurocentric cultural hierarchies used Latin American leaders used to constrain cultural production related to gender practices and sexual identities.
The first empirical study to examine the complicated relationship between voice and masculinity for young male singers. 2009 0-7734-4722-9
This book examines at the gender dimensions of orality in German culture and thought around 1800. It uncovers oral resonances in the philosophy of Immanuel Kant, demonstrates that pedagogical and didactic literature about women and girls is based on a suppression of female orality, contrasts medicalized models of (open) female and (closed) male bodies and reinterprets two classic literary heroines in terms of their oral conformity and excess.
This book examines the attempts of Shakespeare’s male characters to fashion female identity in a way that ensures their own self-definition.
This study examines Irish artistic production and generates a debate on how the painters' collective artistic intentions transcend national borders to engage with the wider debate concerning male subjectivity and masculine representation within a
sexual political arena where patriarchal attitudes and assumptions are questioned.
Includes 40 color reproductions of paintings by
Brian Maguire, Patrick Graham, and Michael Mulcahy.
The book is about the representation of war in the plays of Anne Devlin, Marie Jones and Christina Reid. Cumulatively, the plays demonstrate a symbiotic relationship between war and gender, showing women’s response to war as complex and diverse. The work of these three playwrights suggests that women played a much bigger part in the conflict and in the post-conflict environment than has been acknowledged.
This book explores the accommodations made by the eye of the camera in its search for a homosexual body and gay identity. An analysis of Mexican movies produced during the last third of the 20th century reveals the emergence, the evolution, the articulation, the subversion and the liberation of gay images in Mexican cinema, but also a necessary addition for the full understanding those images in the context of changing Mexican society.
The existing studies surrounding homosexuality in Mexican cinema criticize the stereotypical representations of the gay personality. What has not been consciously analyzed is the cinematographic and aesthetic displacement that was gradually construting the gay male imaginary between 1970 and 1999 and projecting the imaginary into th 21st century.
This book publicly presents gay thematic material and recognizes the existence of the other, be it a representation of the virile, effeminate, or ostracized, and of a gay body that expresses itself and relates to the world differently.
In this monograph, Dr. Comatsos analyzes the utilization of female narrators in Greek fiction from 1924-1962 and connects the appearance of women in the public sphere in Greece. The author examines female narrators in nine novels written by both male and female authors using narratology, feminism, and Bakhtin’s polyphony in her inquiry.
She follows the emergence of the female “I” from private forms of writing (diary, journals) to more public ones. She shows how male authors (here, Grigorios Xenopoulos and Nikos Katiforis) use a female voice to justify male patriarchal ideologies. Additionally, she tells stories of women (the artist, Eleni Altamoura) who deal with obstacles set up for them by Greek society.
This book will focus on gender bias in perceptions of criminal women, using the extreme example of serial murder. Often, an examination of the extreme can show cultural biases with greater clarity. This book shows that men and women, as with more common homicide trends, carry out serial murdering in different patterns. Furthermore, this book will challenge some of the more influential explanations of serial murder put forth by noted people in the field arguing that many of these theories have failed to encapsulate the actions of women who commit these serial crimes. Lastly, this book will explore another possible definition of serial murder as well as some alternative theoretical approaches to the problem. While there have been numerous studies of male serial killers, studies of female serial killers are lacking, even though, as the statistics of this book document, there have been many over time.
This study explores a character type who is neither androgynous nor feminine, presenting a critique of the way in which the term "androgynous" has been misapplied to the feminized male, and through the use of reader response theory, argues that this type of figure appeals to female readers because he reflects parts of themselves often ignored or outrightly ridiculed through male literary representation. The book presents new arguments about characters created by James Joyce (Ulysses), Ernest Hemingway (The Sun Also Rises, The Garden of Eden), Jack Kerouac (On the Road), and Saul Bellow (Humboldt's Gift), advancing a growing body of research rejecting the majority view of these four writers as antifeminine artists. The feminized male, whose male creator has intentionally endowed him with feminine as well as masculine qualities in an effort to explore the complexities of gender in a dialectically social (via literary) realm, presents a powerful technique to explore, challenge, and redefine gender, not only in fiction but in our everyday lives as well.2015 0-7734-4267-7
This a feminist interdisciplinary examination of the divine imagery and its connection to sexual justice, investigating the use of the word Zöe
, Greek for “life”. A feminist hermeneutics using varying methodologies is utilized to empower women’s autonomy. The book examines the Greek Septuagint, the Nag Hammadi Scriptures
, the Kabbalah
, Hebrew and other scriptural sources to argue that Zöe
can serve to provide multiple feminine images of God: Lady Wisdom, Mother God, Fountain of Life, Tree of Life, and Restorer.
This study examines how the fictional works of contemporary French female authors can be read as a unique fantasy world in which the writer consciously manipulates the reader’s (and spectator’s) narrative expectations with explicit articulations of female desire. In addition, this work offers a literary and psychoanalytic reading of lesser-known female authors in French culture.
This book examines the relationship between the military changes described in military manuals published in the latter half of the sixteenth-century and the portrayals of warfare and men who practice war in selected plays of Christopher Marlowe and Ben Jonson. The study argues that the sweeping technological and social changes that were part of the military revolution of the sixteenth century contribute to the negotiations of masculinity identified by many critics as a central concern of these plays, and that the effects of the military revolution of Elizabethan England were felt far beyond the confines of practice fields and military texts.
Charts the life of young Muslim men in Scotland by exploring local issues connected with family life, residential segregation and everyday experiences; national concerns around Scottishness and Scottish politics; and responses to global events such as those of 11th September 2001.
Collet examines how various women artists have contributed to the artistic and cultural identity of Wales. Often overlooked, these female artists have played an enormous role but have rarely been given credit for their achievements. She notes that there is a growing literature on the topic of women in art that claims women were not always excluded from artistic representation, but that this is a recent development. Also, the book discusses problems women face that impede or contribute to their artistic drive like motherhood and family responsibilities.
This book dramatizes the well-known rite de passage of anthropology, while addressing this famous male transition as it occurs in three midlife western intellectuals. In each instance, the main character – a midlife male – is unexpectedly caught up in sharply threatening circumstances, pushed to his extremity, and left wiser. In one case, the protagonist is victim of a hostage taking, as he is sauntering down the street on his vacation in Algiers; in another, the main figure is caught up in an international drug operation, while he is innocently sleeping on a Greek beach; in the third situation, the anti-hero is the victim of the theft of his laptop (and ultimately his identity), and must traipse from country to country in search of what he has lost. The learning Western society no longer exacts by teen-age rituals is now exacted at a later age, by force of circumstance; and in each case, the beard of experience slowly forms.
While many scholars have approached Don Juan in terms of myth, this study argues for the understanding of Don Juan as a discourse of gender relations, changing over time. Using examples from the plays by Tirso de Molina, Molière, Mozart, Zorrila, Shaw and Frisch, it argues that Don Juan’s entire identity as a male individual is constructed around women, but that over time – reflecting a growing sense of crisis in the male individual – the women appear more and more pathological in their desire for Don Juan. In contrast with early modern works where women fend for themselves in a positive manner, the heroines of later Don Juan works actively prey on the individual male. This book argues that these changes in approach to the female characters, and, in tandem, the developing identity of the male protagonist, suggest Don Juan as dischronic discourse rather than myth. Don Juan is not the eternal seducer, but one of a variety of discourses through which gender relations are negotiated. This book will interest not only Don Juan scholars but also scholars and students of European literature, theatre and gender discourses in literature and culture.
This refreshing work draws upon a multitude of fields including philosophy and psychology from both the eastern and western traditions in order to construct an inclusive view of ethics and gender. The goal is to better understand the crucial role that group awareness plays in advocating support in gender justice issues. This study includes the first ever English translation of the epic 12th Century work, Plaint of Lady Wang
This book challenges the received wisdom of approaches to both a “crisis” in masculinity and British cinema. Taking four key case study films which can be said to typify areas of British film production during the 1960’s, this book opens out how widely difference methodologies can be used to analyse the British film as text in contrast to the primarily contextual analyses of British cinema of the period found elsewhere. In addition, she argues that the dominant mode of analyzing masculinity, via a “crisis” needs to be re-examined and the terminology returned to its original sense rather than the pop psychological comprehension which places the blames for any problem with masculinity upon feminism. As such, she seeks to reframe a “crisis” of masculinity (the psycho-sexual) as a crisis of masculinism (the socio-political) whilst concurrently examining individual masculinities as an abjected relationship based upon the social and the Other rather than the feminist and the emasculated.
This book examines the interconnections between nationalism and sexuality in Edna O’Brien’s writing. The work explores the connections between Irishness and sexual reproduction that define women as good Irish citizens, exposes the dysfunctions with rural communities that strive to contain women with limited roles and rewrites them to offer her female characters increased agency. This book contains two color photographs and eight black and white photographs.
“The issues raised here deserve close attention. If the maternal role in the cultural preparation of sons, and therefore in the transmission of culture across generations, has been largely overlooked, as I believe it has, then the time has come to ignore it no longer. It has important implications, perhaps unwelcome ones, some will feel, for the way we think about our schools and our families, and how we go about nurturing and advancing our civilizational heritage.”
-Dr. Margaret King
This volume conducts an historical comparative investigation of the elite school system for boys (lycées - secondary educational system) and girls (religious boarding schools) in 19th century France. An elaborated model of the total institution is used to analyze the educational organizations in which children were educated. The study also uses literary texts such as novels and short stories, diaries, memoirs, and (fictionalized) autobiographies to describe and compare the personal lives, social worlds, and structures of boys and girls in these two types of institutions. A theory of structural ritualization is employed to explain how these groups were influenced by the institutional milieus they were nested within. Underlying this study is the fundamental assumption that literature and sociological concepts can be used together to better understand social historical processes and structures.
This book is the first full-length study of the literary output of South African-born, Mauritian-based novelist, Lindsey Collen. This study tackles these aspects of her writing from a cultural studies standpoint, encompassing both a socio-anthropological reading that identifies the creative energies that forge new connections and a literary analysis of the metaficitional potential of her novels as vehicles for the reassessment of social, cultural and historical conventions.
This book examines human courage and cowardice in combat in many parts of the world in recent times and in the distant past. The result is an introduction to an essential attribute of humanity – the quest for self-respect and the respect of others. The first chapter examines the role of women in war, from the earliest days to the present time. It presents a detailed review of the “Amazons,” women warriors of West Africa. Chapter Two reviews warfare in Africa, particularly the shocking Zulu defeat of British regular troops in 1879. The next chapters discuss the “Charge of the Light Brigade” during the Crimean War, the epic battle of the Alamo, the War of 1812, the battle of Waterloo and the American Civil War, the Vietnam War, the Aztecs, Mayans, and Inca, and chapter eight reviews combat in India and Tibet. The final chapter looks at warfare in the world’s many small societies.
A fresh point of inquiry on the ‘spinster figure’ that offers a compelling reconsideration of gender, literature and culture in late nineteenth century England. This interdisciplinary approach to sources, including novels, popular press articles, book reviews, medical and psychological texts, as well as travel narratives reveals the ubiquitous nature of the ‘spinster figure’, which was invoked in creative, critical, political and medical debates of the late nineteenth century.
This book takes a new look at gender and transgender issues inherent in the concept of male transvestism, or cross-dressing, as represented in the Latin, French, Old Norse, and German literatures of the European Middle Ages, with a primary focus on the Venus Journey
of the knight, Ulrich von Liechtenstein.
This study offers new insights into the works of canonical nineteenth-century authors, Emilia Pardo Bazán and Benito Pérez Galdós, and into those of the twentieth-century writers, Cristina Peri Rossi and Antonio Gala. The work questions the view that these transvestite narratives subvert traditional images of gender and the act of literary creation.
This work examines the gender politics of Victorian Britain through an analysis of nineteenth-century representations of Queen Elizabeth I. The book includes a study of how women regarded powerful females.
This book analyzes the role of Welsh noblewomen thirteenth-century Welsh history. It discusses their absence from this history until recently and examines several outstanding Welsh noblewomen. The women studied include the mothers, wives and daughters of the native Welsh rulers of Gwynedd as well as noblewomen from northern Powys, Cydewain, and Ceredigion. This book contains twelve color photographs.
Showunmi utilizes first-hand interviews with unemployed black women in Britain to ascertain reasons why they cannot find work. The author studies the various barriers that impede Black Women from succeeding in employment and in education. Her conclusions are that racial discrimination along with their subjective racial and gendered identity hinders their forward progress in employment situations, and in educational settings.
This research was an opportunity to explore the personal stories of a group of young African American males that may be seen as an indication of the conditions that have affected our larger society. It deconstructs the common myth that drop outs are the trouble makers or low achievers in school and it inspires us to reconsider and challenges our present teaching approach to this demographic group.
This study will address the international, national and local issues and solutions pertaining to early school leaving and youth disengagement from school. The various contributors examine the impacts of social class, ethnicity, gender and sexuality on the issue of school leaving. The study also reviews past policy in addressing the problem of youth disengagement from school and offers recommendations for reform.
Hammett unravels the many strands of liberal theology in an attempt to understand a literalized Father God. Essays include "Sin and the Image of the Feminine," "Creation and the Female-Male Image," "Goddesses as Symbols of Feminine Consciousness," and "Imaginal Consciousness: The Bridge Between."2011 0-7734-1578-5
This monograph examines why stalking victims are offered poor protection and little support by the police. It advocates the refinement of police methods of recruitment, training and evaluation to combat the effects of patriarchy and gender issues in university criminal justice programs.
This study addresses the way gender mediates the lives of employed immigrant women in an ethnic minority community. It sheds light on the interplay of race-ethnicity, social class, and history generates multiple contexts within which individual and collective gender attitudes and norms are situated. This empirical study has tapped firsthand into the isolated behind-closed-doors subplots of how individuals negotiate old and new gender concepts in contested social and familial terrains.