Giuseppe Mazzini’s Philosophy of Music (1836) - Envisioning a Social Opera: English Translation by E.a.v. (1867)
| Author: | Mazzini, Giuseppe | |
| Year: | 2004 | |
| Pages: | 133 | |
| ISBN: | 0-7734-6469-7 978-0-7734-6469-8 | |
| Price: | $139.95 + shipping | |
| (Click the PayPal button to buy) | ||
Political thinker, philosopher, patriot, and republican, Giuseppe Mazzini (1805-1872) sought solace from his intense activity as a political activist and writer by singing to his own guitar accompaniment. A genuine music lover, in 1836, Mazzini published a pamphlet (40 pages) entitled Filosofia della musica in which he denounced the condition into which music had fallen and suggested the remedy for its resurgence -- this time as a social art.
“The committed composer cannot restrict himself to writing notes and chords, but must understand the vast influence which [opera] could exercise on society. He should not renounce the idea in favor of the form; progressive operatic music must abandon the rigid rules of the classicists, to take on characteristic tint and historical reality; the idea of opera as entertainment must change to one of opera as a mission; the chorus, which portrays the people, must be used more.”
This publication of Mazzini’s Philosophy of Music comes at a juncture when musicologists, especially in the English-speaking world, are increasingly reconsidering the topics and formulas through which the history of music in the nineteenth century has familiarly, for a long time now, been written. Mazzini’s text offers this project some promising leads. It does not as theory but as practice, not for the answers it gives but for the questions it raises.
Little known among English-speaking musical scholars, Mazzini’s work is presented here in a version edited and annotated by Franco Sciannameo. It comprises (1) a Foreword by American leading musicologist Lawrence Kramer, (2) a historical introduction which also offers a critique of various commentaries on Mazzini’s work published in Italian and French during the past fifty years, (3) an English translation of Mazzini’s original text and notes published in 1867 by Emilie Ashurst Venturi with Mazzini’s full approval, (4) a full bibliographical apparatus, (5) Mazzini’s original Italian text.
This book is of interest to musicologists, philosophers, political, and social historians.
“The committed composer cannot restrict himself to writing notes and chords, but must understand the vast influence which [opera] could exercise on society. He should not renounce the idea in favor of the form; progressive operatic music must abandon the rigid rules of the classicists, to take on characteristic tint and historical reality; the idea of opera as entertainment must change to one of opera as a mission; the chorus, which portrays the people, must be used more.”
This publication of Mazzini’s Philosophy of Music comes at a juncture when musicologists, especially in the English-speaking world, are increasingly reconsidering the topics and formulas through which the history of music in the nineteenth century has familiarly, for a long time now, been written. Mazzini’s text offers this project some promising leads. It does not as theory but as practice, not for the answers it gives but for the questions it raises.
Little known among English-speaking musical scholars, Mazzini’s work is presented here in a version edited and annotated by Franco Sciannameo. It comprises (1) a Foreword by American leading musicologist Lawrence Kramer, (2) a historical introduction which also offers a critique of various commentaries on Mazzini’s work published in Italian and French during the past fifty years, (3) an English translation of Mazzini’s original text and notes published in 1867 by Emilie Ashurst Venturi with Mazzini’s full approval, (4) a full bibliographical apparatus, (5) Mazzini’s original Italian text.
This book is of interest to musicologists, philosophers, political, and social historians.
Reviews
"Giuseppe Mazzini’s Philosophy of Music has remained little known among English-speaking musical scholars, who are now in Dr. Franco Sciannameo’s debt for making it readily available to them, together with an informative account of its history and contexts. This is not just a matter of the text’s obvious historical
value. Its publication comes at a juncture when musicologists, especially in the English-speaking world, are increasingly reconsidering the topics and formulas through which the history of music in the nineteenth century has familiarly, for a long time now, been written. Mazzini’s text offers this project some promising leads. It does so not as theory but as practice, not for the answers it gives but for
the questions it raises. It puts some missing pieces of the puzzle back on the
table ... Suffice it, rather, to say that Mazzini’s text is a remarkable
barometer for the musical climate of its age, an instrument that English-speaking readers can now readily interpret as their own climate of thought may prompt." - Professor Lawrence Kramer, Fordham University
value. Its publication comes at a juncture when musicologists, especially in the English-speaking world, are increasingly reconsidering the topics and formulas through which the history of music in the nineteenth century has familiarly, for a long time now, been written. Mazzini’s text offers this project some promising leads. It does so not as theory but as practice, not for the answers it gives but for
the questions it raises. It puts some missing pieces of the puzzle back on the
table ... Suffice it, rather, to say that Mazzini’s text is a remarkable
barometer for the musical climate of its age, an instrument that English-speaking readers can now readily interpret as their own climate of thought may prompt." - Professor Lawrence Kramer, Fordham University
Table of Contents
Foreword, Preface
Introduction
Philosophy of Music (1836)
Giuseppe Mazzini: A Chronology
Bibliography
Index of Names
Appendix: Filosofia della Musica, Mazzini’s Original Italian Text
Introduction
Philosophy of Music (1836)
Giuseppe Mazzini: A Chronology
Bibliography
Index of Names
Appendix: Filosofia della Musica, Mazzini’s Original Italian Text