Metaphysics of Mass Art - Cultural Ontology Volume Two: Indigenous Peoples of the Americas and the Psychology of the Observer in U. S. Film
| Author: | Lee, C. J. P. | |
| Year: | 1999 | |
| Pages: | 284 | |
| ISBN: | 0-7734-8184-2 978-0-7734-8184-8 | |
| Price: | $199.95 + shipping | |
| (Click the PayPal button to buy) | ||
Table of Contents
Foreword
Preface
1.Introduction: ‘Madness''. The ‘Savage', and the Observer; Historical Precursors; The Searchers (John Ford, 1956); The Neo-Nietzschean Nexus
2.Religion as ‘Madness': Black Robe (Bruce Beresford, 1992); The Mission (Roland Joffe, 1986)
3.War as ‘Madness': The Last of the Mohicans (Michael Mann, 1992); Geronimo: An American Legend (Walter Hill, 1994)
4.Society as ‘Madness': One Flew Over the Cuckoo's Nest (Milos Forman, 1975); The Doors (Oliver Stone, 1990)
5.Death as ‘Sanity': The Nature of Death and Dead Man's In/Difference; Dead Man – An Examen of Unconsciousness
Conclusions
Filmography
Bibliography
Index
Preface
1.Introduction: ‘Madness''. The ‘Savage', and the Observer; Historical Precursors; The Searchers (John Ford, 1956); The Neo-Nietzschean Nexus
2.Religion as ‘Madness': Black Robe (Bruce Beresford, 1992); The Mission (Roland Joffe, 1986)
3.War as ‘Madness': The Last of the Mohicans (Michael Mann, 1992); Geronimo: An American Legend (Walter Hill, 1994)
4.Society as ‘Madness': One Flew Over the Cuckoo's Nest (Milos Forman, 1975); The Doors (Oliver Stone, 1990)
5.Death as ‘Sanity': The Nature of Death and Dead Man's In/Difference; Dead Man – An Examen of Unconsciousness
Conclusions
Filmography
Bibliography
Index