Mara Favoretto is a Professor of Spanish at University of Melbourne.2010 0-7734-1292-1
This text offers an analysis of how rhetorical strategies such as allegory, irony and symbolism, were employed by dissenting Argentine writers and singer-songwriters during the military dictatorship that seized power on March 24th 1976.
During the military coup in Argentina (1976 – 1983) a machinery of censorship was imposed. The state had a systematic plan of cultural repression and manipulation of public opinion. However, the dissident writers and lyricists examined in this study developed strategies of resistance that depended largely on allegory and irony. Some of the regime’s plans created the opposite result to that which was desired originally. In the musical sphere, what the authorities wanted to quash was fostered: through avoiding the diffusion of a certain type of music, what was opened up was a space that was quickly occupied by dissident music. By means of a detailed rhetorical analysis, this study is focused on the functioning of allegory, irony and symbolism under constrains of censorship.