Stunkel, Kenneth R.
About the author: Kenneth R. Stunkel is Professor of History at Monmouth University, New Jersey, where he has taught since 1965. His doctorate in history is from the University of Maryland, where he also took degrees in sociology and philosophy. For eleven years he was dean of Humanities and Social Sciences, and for two years dean of Arts and Sciences. He has traveled extensively in Europe, East Asia, and Southeast Asia, and taught Chinese history and Oriental philosophy for a year in Thailand, Laos, Taiwan, and Japan. He was a Visiting Fellow at Princeton University in the Department of Civil Engineering and School of Architecture to study uses of technology in the liberal arts. His teaching and published scholarship encompass Asian civilizations, ancient history, European intellectual history, history of science, and architecture as technology and art.2004 0-7734-6299-6
For more than half a century the distinguished critic, humanist, and historian
Lewis Mumford accumulated sketches and watercolors that he executed while engaged in exploratory rambles through cities and landscapes. He also sketched notable people associated with his early education and career as a nationally recognized writer, which resulted in the National Medal of Freedom and The National Medal of Art. His hundreds of drawings lay buried in folders in Amenia, New York until the 1980' s. Now they can be sampled and enjoyed as a hitherto unknown extension of a literary career that lasted more than 70 years. The authors are uniquely qualified to assemble this volume. They spent many hours with Mumford and his wife, Sophia, until his death in 1990, and secured custody of all the drawings and watercolors for their institution, Monmouth University. Dr. Stunkel is a historian and has written on Mumford's thought. Professor DiMattio is an exhibiting artist and curator of the Mumford collection.
This volume is focused on Mumford as a gifted but unintentional artist. The Preface was supplied by Sophia Mumford before her death in 1997. The authors provide short essays that explain how the drawings and watercolors came to light, Mumford's strengths as an untrained amateur with pencil, pen and ink, and watercolor, and his intimate connections with art as a critic. The volume features 38 of the drawings and watercolors reproduced from the original works, with two photographs of Mumford in the 1920' s and 1970' s. Cross-referenced pages containing commentary on each piece and apt quotations from Mumford's books accompany the images. Following the images and commentary is a catalogue raisonne of 321 drawings and 16 rare photographs. The volume concludes with works cited and a bibliographical essay.2003 0-7734-6558-8
This monograph provides a readable exposition of Lewis Mumford’s views on dozens of issues with continuous, selective reference to his published works. Mumford produced more than 30 books and 3000 articles from 1914 to 1982. Added to this vast corpus are the many books and articles about him in multiple languages. This study elucidates his thoughts about history and its meaning, human nature and its development, science and technology, cities and their culture, art and architecture, and more. It highlights his ideas while integrating Mumford’s words into the exposition, providing an intellectual map. An Appendix includes a personal memoir of the author’s meetings with Mumford.