Metaphysics of Mass Art - Cultural Ontology Volume Two: Indigenous Peoples of the Americas and the Psychology of the Observer in U. S. Film

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Pages:284
ISBN:0-7734-8184-2
978-0-7734-8184-8
Price:$199.95 + shipping
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Table of Contents

Foreword
Preface
1.Introduction: ‘Madness''. The ‘Savage', and the Observer; Historical Precursors; The Searchers (John Ford, 1956); The Neo-Nietzschean Nexus
2.Religion as ‘Madness': Black Robe (Bruce Beresford, 1992); The Mission (Roland Joffe, 1986)
3.War as ‘Madness': The Last of the Mohicans (Michael Mann, 1992); Geronimo: An American Legend (Walter Hill, 1994)
4.Society as ‘Madness': One Flew Over the Cuckoo's Nest (Milos Forman, 1975); The Doors (Oliver Stone, 1990)
5.Death as ‘Sanity': The Nature of Death and Dead Man's In/Difference; Dead Man – An Examen of Unconsciousness
Conclusions
Filmography
Bibliography
Index

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